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Sennheiser EW300 G3 4-Way Wireless Microphone System
Perfect for high-profile events, this package is available with any combination of handheld, lapel or headset microphones, and is packaged in a professional rack case. Antenna distribution and Paddle Antenna are also included.
A truly high-end dynamic offering from Sennheiser’s award-winning 900 series, the 945 offers a tight, feedback rejecting pickup, forceful and present sound, and road-ready construction.
High-grade cardioid condenser for demanding applications. Outstanding sound properties for highly sophisticated applications like acoustic guitars, cymbals, percussion, overheads, orchestras, and grand pianos. Switchable PAD and Low Cut.
Shure Beta 91A
Half-cardioid, boundary condenser microphone specifically designed for low frequency applications. Combined with an Audix D6, these are truly excellent in kick drums! This newer 91A variant also includes an internal preamp.
A compact and flexible choice for instrument miking, the D2 especially shines on percussive sources like rack toms and congas. However, it also works well on sources such as guitar amps and brass instruments.
The industry standard for use on Lecterns and Podiums around the world. Featuring clear sound and highly a discrete appearence for use at professional events of all levels. Supplied with Table Clamp, Gooseneck, Shockmount and Windscreen.
Sennheiser EW100 G3 Wireless Microphone System
Available with either an E865 Handheld Microphone Capsule, ME2 Lapel or discrete Headset Microphone. The system is supplied in a custom, military spec case. Paddle Antennas are also available.
Premium instrument microphone especially well suited to amplifiers, but versatile for many other sources. A powerful, rich and direct sound with switchable presence filter.
Shure Beta 58A
A leading choice for both musicians and sound engineers worldwide, this premium dynamic microphone offers great resistant to feedback, punchy, clear sound and rugged construction.
Specifically designed for low-frequency sources, the D6 provides you with ground shaking low end, yet still offering detail in higher frequencies. Superb on kick drums, and also great for bass amplifiers and very large toms.
Similar in style to the D2, the Audix D4 is specifically optimized for instruments requiring additional low end response. The D4 offers a superb sound on floor toms, and also shines on cajons, tympani, trombones, acoustic basses and a wide variety of other instruments.
Top-end vocal condenser microphone that captures vocal subtlety with extraordinary detail with clear articulation and precise reproduction. Selectable Hypercardioid or Subardioid Polar Patterns.
High-end cardioid condenser microphone for brass and wind instruments, supplied with XLR Preamp, detachable for connection to Sennheiser Wireless Beltpacks.
The unmistakeable standard in instrument miking, the SM57 can handle almost anything; guitar amps, drums, horns, acoustic instruments, or almost anything else! Legendarily rugged, versatile and durable.
Another versatile microphone that can work almost anywhere! Offering a similar sound characteristic to the SM57, it adds a brighter top end for more attack and detail; perfect for snare drums, or guitars that need that little extra cut.
A premium condenser microphone for a multitude of instrument miking situations, the ADX-51 is ideal for drum overheads, hi-hats, or acoustic instruments such as guitars. A switchable PAD and Low Cut Filter are built in.
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